Starring Anil Kapoor, Rani Mukherjee, Manisha Koirala, Satish Kaushik, Sayaji Shinde, Shivaji Sattam
Direction : Sudhir Mishra
Music: Anand Raaj Anand/ Viju Shah
Sudhir Misra who is most well known for his offbeat dark thrillers IS RAAT KI SUBAH NAHIN and DHARAVI now attemtps to take a stab at commercial cinema with adding his own touch. The film has been in the making since 1998 and went through several name changes including WAAPSI and RAKHT after finally settlign for the intriguing CALCUTTA MAIL. Sadly, Misras first foray into commercial cinema turns out to be a disapointment despite a magnificent array of actors and fine tuned performances.
flick is a remake of the super-hit Chiranjeevi starrer CHOODALANI
VUNDI. The film revolves around Avinash (Anil
Kapoor) who arrives
in Kolkata in search of someone..
finds residence in a chawl where he bumps into Bulbul (Rani
Mukerjee) who he is
forced to share his room with. Slowly Bulbul gets attracted to him..
search leads him to Ghatak (Saurabh
Shukla) a local
pimp who knows the whereabouts of the man he is searching for...Lakhan
known psychotic gangster from Patna who is said to have fled to
Kolkata with Anil Kapoors son.
Day after day Avinhash searches for Lakhan yet in unable to trace him despite a few false alarms. One day Ghatak backstabs Avinhash and tells Lakhan everything about Avinash and his whereabouts. In a surprise fight between Avinash and Lakhan-Avinash is stabbed twice and left to die....
learn about Avinashs chance encounter with Sanjana(Manisha Koirala)
who is the daughter of a rich and corrupt politician Sujan
Singh(Satish Kaushik). Sujan Singh wanted his daughter to marry the
slimy goon Lakhan Yadav but Sanjana was dead set against it. Against
her fathers wishes she runs away and marries Avinash and they even
have a kid.
going well until Avinash arrives home one day to find that Sanjana has
been brutally murdered and his son has been kidnapped! Through his cop
uncle Rastogi (Shivaji
finds out that his son has been taken to Kolkata hence begins the
Does Avinash manage to recover? Does he manage to track his son down and take revenge upon Sujan Singh and Lakhan Yadav? These questions and more form the crux of the movie.
terms of a story the flick overs nothing novel. A film of this nature
has been witnessed before in Bollwyood cinemas enough times and the
story reminds one of a regular commercial 80's potboiler if not for
the treatment by Sudhir Misra.
who writes the screenplay with Saurabh Shukla and Ruchi Narain are OK.
The inital sequences are engrossing, yet the film falters in the
second half. One also fails to understand why Lakhan Yadav kidnaps
Anils son? What was his ultimate motive? And the suspense at the end
revealing Manishas real killer wasn't as convincing as it could have
Sudhir Misra's direction elevates the film from a regular fare to a watchable film and his direction is sensational. Like his dark and brooding ISS RAAT KI SUBAH NAHIN, Misra uses some of the same techniques as used there. The ambience and atmosphere created in the movie is flawless to say the least. The nail biting chase sequences, the eye opening train sequences, and the cat and mouse game between Avinash and Lakhan have been perfectly captured and are some of the best chase scenes ever witnessed on the screen
The movie is dark for the most and it certainly give the movie the look of a film noir thriller. As with ISS RAAT KI SUBAH NAHIN, Misra has given the feel that the movie is a journey of a man and how he completes his mission.
Misras direction in the first half is brilliantly executed, he falls
short in the second half. The unwanted songs do not gel in the movie
at all and hinder the films pace, also the Manisha Koiala flashback
drags on unecessary lacking the required punch. Seems like Misra
doesn't know how to successfully strike a balance between commercial
and realistic cinema, one wishes that Misra had gone for an out and
out realistic approach. Although the characters and performances all
come across as very real, as do some scenes, the constant army of
goons, the every minute body count and the climax all get too hard to
digest after a while and the film loses grip.
are the mainstay of this enterprise!
Kapoor was the perfect choice for Avinash. He brings a lot of
depth to his character, and looks smashingly intense in the dramatic
sequences. His emotional scenes also strike the desired chord with the
viewer, and Anil cannot be faulted at all! Its great to see Anil give
a powerful, engaging and hard hitting performance after a long time
and it is a complete change from his ARMAAN
performances and reminds one of his acting in Munna in TEZAAB.
The raw intensity is still very much there! In saying this, his
performance here isn't as good as say PUKAAR,
VIRASAT, or even OM
Mukerjee gives a cheereful and bubbly performance as Bulbul. Her
comic interactions with Anil are well canned. Yet another competent
performance in Ranis kitty, although this one may not be as good as SAATHIYA
or CHORI CHORI she still manages to leave
Koirala in a short role is great. It is great to see her on the
bigscreen after such a long time. She looks great here and gives a
good performance given the length of her role.
powerful and talented supporting cast do not disappoint. Sayaj
Shinde is smashingly brilliant as the sadistic and brutal Lakhan
Yadav. His eyes ooze pure evil and Shinde plays a role that he is at
ease with. It ranks alongside his performance in SHOOL and DAMAN as a
great villanious one.
Satish Kaushik springs a surprise as Sujan Singh. Known for his comic antics, Kaushik delivers a excellent negative performance, he is first rate. Kaushik is a true veteran. Saurabh Shukla is good in a type cast role. He suits the role he plays. Shivaji Satam is OK.
the film is FANTASTIC putting it lightly. Ravi
Chandran cinematography is simply amazing. After VIRASAT and DIL
CHAHTA HAI, Chandran has yet again given award winning cinematography.
The streets of Kolkata, the train station, and all the Durga Poojas
and Yatras have been captured brilliantly as has the dark and brooding
mood of the film
action and chase sequences in the movie and gripping and tight and
have a lasting impact.
credit must be given to the Late Renu Saluja and her FLAWLESS editing.
As witnessed in 1942 A LOVE STORY, PARINDA, ARDH SATYA and many other
flick Saluja was a genius....here she is in top form!! The editing is
slick and sharp.
A downfall to the movie is the films music. Viju Shah and Anand Raaj Anands music don't go well with the movie at all. A serious and intense flick of this nature should have relied on a strong background score and no songs, but sadly in Misras attempt to go commercial he has decided to add the routine song and dance sequence which take away from the films realism and slacken the films pace. Anil Kapoor happily dancing in overseas locations one minute in designer clothes, and then back to Kolkata looking for his son don't gel at all!!:S?. Earlier Govind Nihlani(Another art director) had decided to make a commercial fare his style with the Ajay Devgun-Rahul Bose starrer THAKSHAK and Nihlani was completely successful IMO. Nihlanis use of songs were good and added to the films story, maybe Misra could take a hint or 2 from there when he decides to make his next commercial venture.
All up CALCUTTA MAIL is a watchable film for its engrosssing first half and the smashing performances by Anil Kapoor, Satish Kaushik, Sayaji Shinde, Manisha Koirala and Rani Mukerjee.
BE WARNED that CALCUTTA MAIL is a film which has more than its share
of flaws and those who are expecting a modern-day-classic from the
talented Sudhir Misra will be HUGELY disapointed!
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